At risk of being overly simplistic, they all have a vocoder-esque effect but are certainly unique from each other.Įach module then has its own synthesis section, which is fully customizable. The five modules are Biovox, Vocoder, Compuvox, Talkbox, and Polyvox. This is where iZotope’s proprietary modules live, all of which make the plugin what it is. As part of the pitch correction module, there’s a Voicing area where you can create artificial harmonies as well. If you’re familiar with Auto-Tune or similar software, you’ll find the ability to set the vocalist’s register, as well as the key and correction speed. The pitch correction itself is pretty advanced. You can, of course, bypass any of these sections independently. There’s a pitch section, a processing area, and a section for effects. Getting familiar with the layout, signal flows through three sections in VocalSynth 2. They already have an all-in-one vocal production suite in Nectar, so VocalSynth 2 caters to a totally different set of needs. IZotope is sort of known for developing plugins for specific purposes. The latest version still has pitch correction, a vocoder, and all sorts of proprietary weirdness. ![]() ![]() It included ‘normal’ stuff like pitch correction, EQ, and compression, as well as weirder stuff like Polyvox, Compuvox, and Shred. ![]() The original VocalSynth came with a modular effects interface. Two years later, iZotope VocalSynth 2 came out, which is the most current version of the software. It was obviously a fresh approach to creative vocal production not previously seen in other plugins. Right away, its features got a lot of attention.
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